Spooky season is one of my favorite times of the year and to celebrate I’m diving into some gay horror films. The campier, bloodier, and queerer the better. I’m kicking things off with They/Them, a 2022 LGBTQ+ horror movie from Blumhouse set in a conversion therapy camp.
On paper, it’s a killer concept: queer teens fighting for survival and identity in a place designed to erase them. It’s But I’m a Cheerleader meets Friday the 13th, only with fewer thrills and way more trauma.

They/Them (2022)
Directed by: John Logan
Starring: Kevin Bacon, Theo Germaine, Anna Chlumsky, and Cooper Koch
Summary: A group of LGBTQ+ teens arrive at a remote conversion therapy camp that promises to make them straight, but things take a dark turn when a masked killer begins picking people off one by one.
The tea: TL:DR They/Them struggles to deliver real scares but shines in moments of community and queer resilience. It leans heavier on trauma more than terror, but it’s one of the few horror films centered on queer characters and that makes it worth watching (at least once).
Where to stream: Peacock, Apple TV, Prime Video
🩸 The Setup: Horror in the Woods
The film opens with a couple of solid jump scares and a masked killer lurking in the woods. Then we meet Kevin Bacon as Owen Whistler, the camp’s director, delivering a chillingly calm “reasonable conservative dad” monologue that instantly gives villain energy. And of course Cooper Koch brings some much-needed charisma and let’s be honest, eye candy to the screen.
⚡️ The Real Horror: Conversion Therapy
While the movie is styled as a queer slasher, most of the actual terror comes from the camp’s “therapy” methods: shock treatment, gender policing, and emotional manipulation. These scenes are far more terrifying than the masked killer.
The scariest scene actually happens when the campers break into a group sing-along of Pink’s “F**kin’ Perfect.” Sure, it’s meant to be empowering, but feels out of place and cringe AF.

🔪 The Slasher Element Falls Flat
By the time the masked killer returns, we’re more than 45 minutes into the movie. And the mystery around the killer’s identity, eventually revealed as Molly Erickson played by Anna Chlumsky, lands without much buildup. The pacing drags, and while the revenge twist makes thematic sense, it never really delivers the tension or payoff you’d expect.
The scares are light, the characters feel paper-thin, and the film never quite decides what type of horror it’s going for.
🌈 The Message Still Matters
Even with its uneven execution, They/Them delivers a poignant message in today’s climate. With queer rights under attack and harmful practices like conversion therapy potentially being made legal, the film’s premise feels uncomfortably real.
It might not be the strongest LGBTQ+ horror film out there, but it’s a reminder that horror doesn’t always have to come from monsters. Sometimes, it’s the systems that create them.

🎬 Final Thoughts
Despite its shortcomings, Theo Germaine (as Jordan) and Cooper Koch (as Stu) deliver some stand out performances. They/Them as a concept could have been a stellar gay horror movie, redefining the genre for queer audiences, but never quite leans into that potential.
💬 What Did You Think?
Have you seen They/Them? Let me know your thoughts and your favorite queer horror movies on Threads or Bluesky.
Film stills and promotional images are the property of their respective copyright holders. Used here under fair use for commentary and review. All opinions and takes are my own.