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In Entertainment/ Queer Film Club

From Trauma to Terror: Revisiting the Gay Slasher They/Them

Spooky season is one of my favorite times of the year and to celebrate I’m diving into some gay horror films. The campier, bloodier, and queerer the better. I’m kicking things off with They/Them, a 2022 LGBTQ+ horror movie from Blumhouse set in a conversion therapy camp.

On paper, it’s a killer concept: queer teens fighting for survival and identity in a place designed to erase them. It’s But I’m a Cheerleader meets Friday the 13th, only with fewer thrills and way more trauma.


They/Them (2022)

Directed by: John Logan

Starring: Kevin Bacon, Theo Germaine, Anna Chlumsky, and Cooper Koch

Summary: A group of LGBTQ+ teens arrive at a remote conversion therapy camp that promises to make them straight, but things take a dark turn when a masked killer begins picking people off one by one.

The tea: TL:DR They/Them struggles to deliver real scares but shines in moments of community and queer resilience. It leans heavier on trauma more than terror, but it’s one of the few horror films centered on queer characters and that makes it worth watching (at least once).

Where to stream: Peacock, Apple TV, Prime Video


🩸 The Setup: Horror in the Woods

The film opens with a couple of solid jump scares and a masked killer lurking in the woods. Then we meet Kevin Bacon as Owen Whistler, the camp’s director, delivering a chillingly calm “reasonable conservative dad” monologue that instantly gives villain energy. And of course Cooper Koch brings some much-needed charisma and let’s be honest, eye candy to the screen. 

⚡️ The Real Horror: Conversion Therapy

While the movie is styled as a queer slasher, most of the actual terror comes from the camp’s “therapy” methods: shock treatment, gender policing, and emotional manipulation. These scenes are far more terrifying than the masked killer.

The scariest scene actually happens when the campers break into a group sing-along of Pink’s “F**kin’ Perfect.” Sure, it’s meant to be empowering, but feels out of place and cringe AF.

🔪 The Slasher Element Falls Flat

By the time the masked killer returns, we’re more than 45 minutes into the movie. And the mystery around the killer’s identity, eventually revealed as Molly Erickson played by Anna Chlumsky, lands without much buildup. The pacing drags, and while the revenge twist makes thematic sense, it never really delivers the tension or payoff you’d expect.

The scares are light, the characters feel paper-thin, and the film never quite decides what type of horror it’s going for.

🌈 The Message Still Matters

Even with its uneven execution, They/Them delivers a poignant message in today’s climate. With queer rights under attack and harmful practices like conversion therapy potentially being made legal, the film’s premise feels uncomfortably real.

It might not be the strongest LGBTQ+ horror film out there, but it’s a reminder that horror doesn’t always have to come from monsters. Sometimes, it’s the systems that create them.

🎬 Final Thoughts

Despite its shortcomings, Theo Germaine (as Jordan) and Cooper Koch (as Stu) deliver some stand out performances. They/Them as a concept could have been a stellar gay horror movie, redefining the genre for queer audiences, but never quite leans into that potential.

💬 What Did You Think?

Have you seen They/Them? Let me know your thoughts and your favorite queer horror movies on Threads or Bluesky

Film stills and promotional images are the property of their respective copyright holders. Used here under fair use for commentary and review. All opinions and takes are my own.

In Entertainment

Motherhood, Secrets, and Spanish History: Why Parallel Mothers Matters

Pedro Almodóvar is one of my all-time favorite directors, a true master of blending camp, melodrama, and big emotions. He’s one of the most celebrated LGBTQ+ directors working today and I’ve always wanted to challenge myself to watch his entire filmography. What I love about his films are the colors, the strange-yet-normal situations, and the way campy melodrama somehow makes serious topics hit even harder.


Parallel Mothers (2021)

Directed by: Pedro Almodóvar

Starring: Penélope Cruz, Milena Smit 

Summary: Two women give birth on the same day, and their lives get tangled thanks to a hospital mix-up. At the same time, one of them is investigating unmarked graves of her townspeople from the Spanish Civil War.

The tea: This film isn’t just about melodrama or shocking plot twists, it’s about history, memory, motherhood, and how personal trauma echoes political trauma.

Where to stream: YouTube, Prime Video, Philo, Apple TV


I finally caught Parallel Mothers on a plane, not exactly a Criterion theater setup, but it was worth it. The film balances melodrama, desire, and political history in classic Almodóvar style, offering both campy fun and profound emotional resonance.

The Story (Spoilers Ahead)

We open with Janis (Penélope Cruz), a photographer trying to locate unmarked graves from the Spanish Civil War. Heavy and political, yes but then suddenly, we’re in a maternity ward. We meet Ana (Milena Smit), Janis’s hospital roommate, whose backstory is filled with family tension and dark circumstances. All delivered in that Almodóvar way where shocking news drops like casual gossip.

Their intertwined fates serve as both intimate melodrama and social allegory. We eventually learn their children were swapped in a hospital mix-up, confirmed by DNA, and the eventual revelation that Janis’s daughter is actually Ana’s. Almodóvar uses these plot twists not merely for shock value, but to explore questions of trust, attachment, and resilience.

 Cruz is perfection as Janis, graceful, complicated, and quietly devastating. Milena Smit’s Ana transforms before our eyes, from dependent and uncertain to resilient and active. Their chemistry is unexpected and messy, a testament to Almodóvar’s gift as an LGBTQ+ director who knows how to navigate intimacy and identity with nuance.

History, Trauma, and the Bigger Picture

What makes Parallel Mothers exceptional is how the personal drama mirrors Spain’s history. Janis’s work exhuming unmarked graves serves as a powerful visual and thematic metaphor: personal and political histories, hidden and suppressed, eventually demand recognition. The film’s emotional arcs mirror Spain’s reckoning with the Civil War, and Eduardo Galeano’s quotation: “No history is mute. No matter how much they burn it, break it, and lie about it, human history refuses to shut its mouth,” feels almost built into the narrative structure itself.

The juxtaposition of intimate maternal drama and public historical memory reinforces Almodóvar’s ongoing fascination with the interplay between desire, secrecy, and societal pressure. 

Final Thoughts

Parallel Mothers is messy, colorful, emotional, and completely unmissable. This film stands out as a landmark LGBTQ+ film about women, motherhood, and history.

Have you seen Parallel Mothers? How do you think Almodóvar uses melodrama to reflect historical and personal trauma? Which other LGBTQ+ films do you think pull this off as brilliantly? Let’s chat about it on Threads or BlueSky!

In Entertainment/ Queer Book Club

Resistance and Resilience in an Inspiring LGBTQ Memoir

This post contains affiliate links. If you use these links to make a purchase, I may earn a commission at no additional cost to you.

Okay, confession time. I started reading Reinaldo Arenas’ Before Night Falls (affiliate link) months and months ago and promised myself that I’d post about it on socials as my own Queer Book Club. Needless to say, I’m a very slow reader and it took me quite a while to get this book club session started. This memoir has been on my reading list for ages and I’m so glad I read it. Not only did I find it beautifully written but also offers an unflinching, intimate look at gay life under an authoritarian regime.

If you’re a fan of inspiring LGBTQ memoirs that explore resilience, resistance, and identity, you absolutely must pick up this book.

Why Before Night Falls Is One of the Most Inspiring LGBTQ Memoirs

The first 100 pages cover Arenas’ youth in rural Cuba and honestly, it was pretty jarring, and at times a little uncomfortable. I’m not sure what I came to this book expecting, but what I found was a deeply intimate and sometimes brutal account of life under an authoritarian regime. 

Queer Identity, Humor, and Resistance in Cuba

Throughout the book, it was depressing to see how frequently and casually homosexual acts occured among men who still cling to toxic homophobia. As Arenas writes:

“I realized that being called a ‘f****t’ in Cuba was one of the worst disasters that could ever happen to anyone.”

And at the same time, there’s also some humor and joy in the story. I was really amused by The Four Categories of Gays excerpt. Despite everything, Arenas captures moments of queer connection, pleasure, and resistance.

Reading about a country slipping into dictatorship, about how people cope, resist, and break, is deeply unsettling right now. The repression Arenas lived through echoes in so many corners of today’s world. It may not be comforting, but I think it’s really important in this moment to pay attention to stories and experiences like this.

Life in Prison, Surveillance, and Surreal Humor

In the second half of the book, Arenas is imprisoned and then spends several years struggling to survive in a surveillance state that has marked him as a threat to the party. And yet even these chapters are laced with surreal humor. 

There’s a scene where his neighbor Blanca gathers the community in their building to reveal that she can no longer perform sex work as her breasts have shriveled. To provide her some relief, Arenas and his neighbors dig a hole through a closet to give Blanca a window and discover an abandoned convent filled with trinkets to sell. The whole situation seems surreal and absurd.

And then there’s the trickster character of Hiram Prado, a former friend turned informant who pops up throughout the second half as an almost cartoonish menace. His presence provides some comic relief even though his activities were a very serious threat. 

The Harsh Reality of Exile for Queer Writers

One of the most sobering elements of Before Night Falls is that Arenas doesn’t find true freedom in the U.S. or Europe. After successfully fleeing communist Cuba, he goes on to face homophobia, alienation, and exploitation in exile. He received appalling treatment by his publishers. Leftists romanticize the regime he fled. Cuban exiles and activists dismiss him. He’s seen as too angry, too queer, too inconvenient.

“…although both give you a kick in the ass, in the communist system you have to applaud, while in the capitalist system you can scream. And I came here to scream.”

This tension between survival and expression is what makes Before Night Falls one of the most inspiring LGBTQ memoirs you’ll ever read, even in its bleakest moments.

A Defiant Ending That Redefines Courage

The memoir ends not with triumph, but with resistance. There’s no hopeful next chapter. Just Arenas, refusing to be polite or palatable. Writing through surveillance. Through illness. Through exile. Until the very end.

Before Night Falls isn’t an easy read and it’s not really a feel-good summer book. But it’s essential LGBTQ+ literature, and one of those rare inspiring LGBTQ memoirs that reminds us of the power of defiance and authenticity. It’s a testament to living and existing against all odds.

If you’ve read it, I’d love to know:

📖 What stuck with you?

📖 Did anything surprise you?

📖 How did you sit with the ending?

And if you haven’t picked it up yet, I hope this post inspires you to grab a copy. (affiliate link)

Okay, confession: I started Before Night Falls by Reinaldo Arenas months ago and told myself I’d post as I went along. That…didn’t happen. But now that I’m almost done, let’s talk about it!Kicking off this very unofficial #QueerBookClub

Gays & Confused (@gaysandconfused.bsky.social) 2025-07-09T02:30:12.383Z
In Entertainment/ Life

The Big Gay List of NYC Pride Month Events 2025

Hi gay. It’s officially Pride season and what better way to kick off the summer than by turning up the volume on queer joy. I still feel new to New York City, and so every year I promise myself I’m going to celebrate our month more than I did the year before. TBH, it can be overwhelming with the amount of events going on. So, to make the most of Pride 2025, I’m getting seriously prepared this year.  

From raving dance floors to reflective exhibits, here’s a curated list of the best NYC Pride month events to celebrate, connect, and show up all month long.


🌈 The Main Event(s)

Get into the celebratory mood with these festivals, marches, and markets happening in NYC.

New Queens Pride

  • June 1, 2025
  • 12pm
  • 37th Avenue in Jackson Heights

The Wonder Market: Pride at Carroll Hall

  • June 12, 2025
  • 7:30pm
  • Carroll Hall

Brooklyn Pride Street Festival

  • June 14, 2025
  • 11am
  • 5th Avenue between Union and 9th Street

Brooklyn Pride Comic Book Fair

  • June 21, 2025
  • 12pm-6pm
  • Brooklyn Pride Center

Queer Soup Night x Pride Night at Brooklyn Botanic Garden

  • June 25, 2025
  • 6pm-8:30pm
  • Brooklyn Botanic Garden

NYC Pride March

  • June 29, 2025
  • 11am

NYC PrideFest

  • June 29, 2025
  • 11am
  • Greenwich Village

Queer Liberation March

  • June 29, 2025
  • 11am
  • ​NYC AIDS Memorial Park at St. Vincent’s Triangle

🪩 party 4 u

From rooftop raves to sweaty basements—here’s where to dance, flirt, and serve all month long.

Dirty Circus Variety Show: Pride Edition

  • June 6, 2025
  • 6:30pm
  • House of Yes

Bailamos Juntos – Pride Fundraiser

  • June 7, 2025
  • 6pm
  • Sound Mind Center

Night at the Museum: Pride

  • June 13, 2025
  • 8pm-12am
  • MoMA PS1

Pride Night at the Museum

  • June 13, 2025
  • 7pm-10pm
  • Gilder Center for Science, Education, and Innovation

Dyke Beer: Pride Party

  • June 13, 2025
  • 7pm
  • Brooklyn Art Haus

The Library After Hours: Pride

  • June 13, 2025
  • 7:30pm-11pm
  • Stephen A. Schwarzman Building

Pride Above the Park 2025

  • June 18, 2025
  • 6pm
  • The Rooftop at Deutsche Bank Center

It’s Giving Brunch: NYC Pride Drag Fundraiser

  • June 21, 2025 
  • 11am
  • Stella 34 Trattoria

The Official Pride Bar Crawl

  • June 21, 2025
  • 4pm-11pm
  • Puttery

Fagtasia Pride: Hobbitfest

  • June 21, 2025
  • 6pm
  • 3 Dollar Bill

MoMA Pride Celebration 2025

  • June 25, 2025
  • 6:30pm-10pm
  • MoMA

PLANET YES PRIDE: Tom Peters James Patterson

  • June 26, 2025
  • 10pm
  • House of Yes

Pride At The Pink Pony Club

  • June 26, 2025
  • 10pm
  • 3 Dollar Bill

LadyLand Festival

  • June 27, 2025
  • 7pm
  • Under the K Street Bridge

🎭 Queer Culture Club

Shine a spotlight on queer stories with comedy shows, concerts, readings, and more.

Department of Gay Ecstasy: Pride Edition

  • June 5, 2025
  • 8:15pm
  • Brooklyn Comedy Collective

Pride Comedy Show

  • June 11, 2025
  • 7:30pm
  • Gotham Comedy Club

East Village Queer: Writers & Writing Below 14th Street

  • June 12, 2025
  • 6pm-7:15pm
  • Tompkins Square Library, Basement

Super Gay Poems with Stephanie Burt and Special Guests

  • June 18, 2025
  • 7pm-8pm
  • The New York Public Library, Stephen A. Schwarzman Building

LGBTQ Pro Wrestling: Fight for Pride 2

  • June 22, 2025
  • 3pm
  • Alewife Brewing 

Book Talk: Queer Happened Here

  • June 25, 2025
  • 5pm-7pm
  • Housing Works Bookstore Cafe

@gaysandconfused

Spent a rainy Saturday walking through NYC’s queer past 🌈

♬ Disco (Instrumental) – Hellboii Music

🏙️ Museum Gays & History Baes

Discover LGBTQ+ history though walking tours and special exhibits.

Out of the Closets! Into the Streets!: New York City’s Pride March 1975-1976

  • May 8, 2025 – August 31, 2025
  • The Hispanic Society Museum & Library

Queer History Walks

  • Select weekends
  • The Whitney

Defying Norms: A Queer Self-Portrait Journey

  • June 4, 2025
  • 3:30-5pm
  • Washington Heights Library

Walking Tour: Gay Bars That Are Gone

  • June 7, 2025
  • 5pm-6:30pm
  • Meet at 105 2nd Ave

Walking Tour: Lesbian Herstory of Greenwich Village

  • June 17, 2025
  • 6pm-7:30pm
  • Washington Square Park

Walking Tour: LGBTQ History in East Village

  • June 18, 2025
  • 6pm-8pm
  • Bayard-Condict Building

West Village Pub Tour Traces Roots of LGBTQ Culture – Pride Walking Tour

  • June 21, 2025
  • 2:30pm-5pm
  • The Lesbian, Gay, Bisexual & Transgender Community Center – New York

Walking Tour: Un-Erasing Stonewall

  • June 24, 2025
  • 6pm-7:30pm
  • Stonewall National Monument

Walking Tour: Upper West Side

  • June 25, 2025
  • 6pm-7:30pm

I made it home: A Solo Exhibition by Golden

  • June 27, 2025
  • 6pm-8pm
  • Pen + Brush

Pride month isn’t just about celebration, it’s about visibility, community, and finding joy even when the world feels depressingly chaotic. I’ll see you out there dancing, learning, and loving every minute of it. 🏳️‍🌈 Which events are you planning to attend?

In Entertainment/ Queer Music Club

Pop Panic: Gaga’s Mayhem is a Thrill Ride

This post contains affiliate links. If you use these links to make a purchase, I may earn a commission at no additional cost to you.

After absolutely devouring the stage at Coachella, Lady Gaga has unleashed her latest full-length album, and I’ve had it on repeat ever since (affiliate link). Mayhem is loud, theatrical, gothic, romantic, and full of that signature Gaga chaos we live for . So naturally, I’m breaking it down track by track.


@gaysandconfused

Hi #QueerMusicClub I’ve been listening to @ladygaga’s Mayhem on repeat all month, so let’s talk about it! 🖤

♬ original sound – Gays and Confused

1. “Disease”

The single that set the tone for this dark, gothic pop era. When this dropped I was excited for the musical direction which feels like a return to the sounds of The Fame Monster and the sledgehammer beats of Born This Way. Plus with a vocal performance that’s part howl, part exorcism, Gaga came in hot. It’s goth-pop perfection and instantly screamed: she’s back, baby.

2. “Abracadabra”

Grand. Witchy. Unhinged. This track owns me. It’s giving Broadway coven with a side of sparkle. The video is spellbinding (literally), and I’m still stomping around my apartment chanting the chorus like it’s a summoning ritual.

3. “Garden of Eden”

A dance floor seduction where Gaga transitions between big vocals on the chorus and bratty rap on the verses. Honestly, t-t-t-take ME to the Garden of Eden.

4. “Perfect Celebrity”

Where The Fame was a satirical commentary on the hunger for fame and the tabloid culture of the time, here Gaga presents a darker side to celebrity and our current obsession with its commodification. This also feels so nostalgic for my dark millennial heart, a flashback to grunge and industrial rock of the aughts. 

5. “Vanish into You”

I’ve been saying this album feels like the endgame of Gaga albums, a greatest hits of new songs, here she gives us a callback to Artpop. Gaga gives us a rare peek behind the curtain here. It’s big, emotional, and campy. 

6. “Killah”

An update on the sound Gaga brought into the world with The Fame, this feels like a glam rock homage to David Bowie and Prince. It’s fun and quirky, she does some really interesting vocal stuff on it. It’s probably my favorite track on the album.

7. “Zombieboy”

Another track that feels born of The Fame Monster era, it really reminds me of “Disco Heaven.” Camp, humor, horror film vibes, and a nod to little monsters everywhere puttin’ their paws up.

8. “LoveDrug”

An arena rock moment that recalls Born This Way. She’s got us crying on the dancefloor. Huge chorus, huge feelings, huge synths.

9. “How Bad Do U Want Me”

Soft Gaga strikes again. This 80s-inspired bop has hints of Eh, Eh (Nothing Else I Can Say) with powerhouse vovals. We all love the rap-talk bridge that’s gone viral asking, “that girl in your head ain’t real how bad do you want me for real?” 

10. “Don’t Call Tonight”

An absolute earworm that feels like a spiritual sequel to “Fashion of His Love.” I can’t get enough of the big chorus and grooving guitar. 

11. “Shadow of a Man”

Another one of my favorite Gaga tracks is “Bad Kids”, and this feels like a grown up version. Punky, messy, and full of heart. Gaga is not just a pop star—she’s a queer music icon with something to say.

12. “The Beast”

As we enter the tail end of the album, I do wish the ballads had been mixed into the track listing rather than lumped together. This is a power ballad that should hit harder. It sounds technically flawless, but feels a bit bland. Gaga’s vocals are giving everything, but the track feels slightly paint-by-numbers.

13. “Blade of Grass”

A gorgeous, stripped-down ballad that brings us into Gaga’s real-life romance. There’s something so soft and sincere here—and dare I say, country-coded?

14. “Die with a Smile”

Two pop icons. One emotionally adult duet. It’s not the Gaga collab I expected, but it’s the one I didn’t know I needed. Perfectly designed for pop radio, yes—but still a satisfying close to the Mayhem.


Mayhem is dark, dramatic, and delightfully camp. Lady Gaga is one of the few music artists who can continuously reinvent herself while still giving us that nostalgic serotonin hit. She’s built a gothic pop world that feels cohesive but lets her be weird, romantic, messy, and powerful. Is she reheating her own nachos? Yeah and that’s absolutely fine for this iconic diva. 

Shop Mayhem on CDandLP.com (affiliate link)

What were your favorite tracks on Mayhem? Which ones do you want to see her perform live in full drag vampire regalia?